Otakunvirka »animator bleak lives
This script was originally a lot longer, but I decided huntsville space center to split it in half because
of the dual theme. The other half will deal more discontent anime fan culture and especially its current quality. Reasons for dissatisfaction are old and familiar: a fan of the masses are stupid and they have shit taste, production companies now only run trends behind the images in the eyes of the yen, and animators are lazy and just do shit.
One thing is certain: the Japanese animation industry is facing difficulties, and other than economic. However, it is less labor shortage in the West speak of a tangible impact on the quality of the anime is not very often, awareness - after all, of course, easier to just blame the animators lazy.
Animator is a time-consuming and low-paid profession with many that do not have pairs of years longer - skills are not developed and the promising young talent and ambition to move quickly to other areas. More and more work in the 2000s must be outsourced to Korea: huntsville space center not only for budgetary reasons, huntsville space center but because housework is just not. Why is this - and more importantly, why was it not in the famous pre-recession in the 80s, when the series was produced in more than television came to be present and, therefore, was to come up with OVA format huntsville space center to meet the demand? But when wages were at the same. Production IG has been ten years since Kristian Huitula internship huntsville space center was that they were in 1999, although a bit more lower. (Or IG pays crappy wages.)
The Japanese are a people accustomed to follow the old formulas, so that the system of internal criticism is rarely heard. An interesting approach to this problem, but offering the director Osamu Yamasaki Japan Animation Creators Association's website on his blog, especially in this document. Referoin the most interesting pointit here.
(Note the difference between the director, section director, animation master, key animator and välianimaattorien between., The Director (kantoku) and animation masters (sakuga kantoku, literally "the key animation director," and in English often "animation director") titles are separated by a mentor storyboardeista a screenplay, huntsville space center animation Manager on the implementation of the technical side and track compliance. Instructor in turn divided into general liability huntsville space center section leader, as one of the periods of production is a long and slow process, and one must maintain an overall picture of the entire series. Experienced late avainanimaattorit huntsville space center
as a single project may have dozens, corresponding avainfreimien (Genga) drawing. Välianimaattorit in turn fulfills the gaps between avainfreimien välifreimeillä (dooga)).
Välianimaattorille paid 200-250 yen per sketch, draw and one välianimaattori currently preparing an average of 500 per month. 10 percent of that tax follows from 90,000 to 100,000 yen (680-750 euros) per month. Given that the cheapest possible stop in Tokyo, is the monthly rent on average huntsville space center 50,000 to 70,000 yen (380-530000000), and who would have to pay more food and pension contributions, it is clear that this salary will not live.
Other end of the scale COLORED paid slightly less, 180 to 200 yen per month. COLORED you can get ready for drawings up to 2000 a month, so it follows huntsville space center after tax 320,000 huntsville space center to 360,000 ¥ (2,400 to € 2,700) monthly salary. Why this difference is so obvious?
Animation films in each colored film needed painting with brushes huntsville space center and waiting for paint to dry and paint shadows on the back, which required a lot of work and skill as an animator. COLORED was then made a drawing about 700-1000 a month. Animators in turn was easier: the drawings did not have to be complete and thoughtful, because they were painted over in any case. Got to stay between the lines and gaps, because color is Photarin color fill tool. The line drawing was transferred to a copy of the film on the paper machine that burned it just grafiittikynänjäljen, could make a crayon on the same paper as the pictures so sketch. As a result, the 80's välianimaattorit well ready for drawings in 1000 - and thus colored and animators salary was about the same, about 1,500 to € 1,800 a month. A small, but enough to live.
Sure, animators and producers managed to kill himself by working on before the full digital methods are involved, as in this Komugi-chan-Above bonus excerpts of 2002. Halko voice.
Today asked animators to recruit the very first, but they live with their parents and they get from their parents ra
This script was originally a lot longer, but I decided huntsville space center to split it in half because
|
One thing is certain: the Japanese animation industry is facing difficulties, and other than economic. However, it is less labor shortage in the West speak of a tangible impact on the quality of the anime is not very often, awareness - after all, of course, easier to just blame the animators lazy.
Animator is a time-consuming and low-paid profession with many that do not have pairs of years longer - skills are not developed and the promising young talent and ambition to move quickly to other areas. More and more work in the 2000s must be outsourced to Korea: huntsville space center not only for budgetary reasons, huntsville space center but because housework is just not. Why is this - and more importantly, why was it not in the famous pre-recession in the 80s, when the series was produced in more than television came to be present and, therefore, was to come up with OVA format huntsville space center to meet the demand? But when wages were at the same. Production IG has been ten years since Kristian Huitula internship huntsville space center was that they were in 1999, although a bit more lower. (Or IG pays crappy wages.)
The Japanese are a people accustomed to follow the old formulas, so that the system of internal criticism is rarely heard. An interesting approach to this problem, but offering the director Osamu Yamasaki Japan Animation Creators Association's website on his blog, especially in this document. Referoin the most interesting pointit here.
(Note the difference between the director, section director, animation master, key animator and välianimaattorien between., The Director (kantoku) and animation masters (sakuga kantoku, literally "the key animation director," and in English often "animation director") titles are separated by a mentor storyboardeista a screenplay, huntsville space center animation Manager on the implementation of the technical side and track compliance. Instructor in turn divided into general liability huntsville space center section leader, as one of the periods of production is a long and slow process, and one must maintain an overall picture of the entire series. Experienced late avainanimaattorit huntsville space center
|
Välianimaattorille paid 200-250 yen per sketch, draw and one välianimaattori currently preparing an average of 500 per month. 10 percent of that tax follows from 90,000 to 100,000 yen (680-750 euros) per month. Given that the cheapest possible stop in Tokyo, is the monthly rent on average huntsville space center 50,000 to 70,000 yen (380-530000000), and who would have to pay more food and pension contributions, it is clear that this salary will not live.
Other end of the scale COLORED paid slightly less, 180 to 200 yen per month. COLORED you can get ready for drawings up to 2000 a month, so it follows huntsville space center after tax 320,000 huntsville space center to 360,000 ¥ (2,400 to € 2,700) monthly salary. Why this difference is so obvious?
Animation films in each colored film needed painting with brushes huntsville space center and waiting for paint to dry and paint shadows on the back, which required a lot of work and skill as an animator. COLORED was then made a drawing about 700-1000 a month. Animators in turn was easier: the drawings did not have to be complete and thoughtful, because they were painted over in any case. Got to stay between the lines and gaps, because color is Photarin color fill tool. The line drawing was transferred to a copy of the film on the paper machine that burned it just grafiittikynänjäljen, could make a crayon on the same paper as the pictures so sketch. As a result, the 80's välianimaattorit well ready for drawings in 1000 - and thus colored and animators salary was about the same, about 1,500 to € 1,800 a month. A small, but enough to live.
Sure, animators and producers managed to kill himself by working on before the full digital methods are involved, as in this Komugi-chan-Above bonus excerpts of 2002. Halko voice.
Today asked animators to recruit the very first, but they live with their parents and they get from their parents ra
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